Come Party From the Best View in the House
The 100 best party songs ever fabricated
Put the all-time party songs on your celebration playlist and you're guaranteed a body-moving dance explosion
We didn't realise quite how much we missed parties until we were able to have them once again. Seriously, is at that place a better feeling in the entire earth than dancing in a club – or your kitchen – with a load of people who are also prepare to lose it when they hear 'Like a Prayer' or 'Wannabe' or 'I Wanna Dance with Somebody (Who Loves Me)'? If you desire everyone at your political party to join in, you have to err on the side of familiarity: if none of your guests will know a song, it doesn't make information technology onto the playlist. End of.
So, yous get the snacks, we'll bring the hot tracks: this playlist of classic party tunes is sure to go everyone moving in an explosion of blithesome, fevered dancing. There are some popular favourites, a few karaoke classics, and some all-round happy songs. The beats are nonstop and the grooves are infectious. Hitting play on these bangers and you're guaranteed to get in the party mood wherever you are.
Listen to these songs on Amazon Music
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Best party songs of all time
one. 'Similar a Prayer' by Madonna
A truly great party has to have drama, and who improve to provide this than the Queen of Pop, Madonna. Indeed, there was drama effectually 'Like a Prayer' even before the unmarried came out in 1989—remember that Pepsi ad campaign? And then there's the song itself: jags of electric guitar followed by a huge, cavernous drum thwack. A waft of angelic choir singing. So: 'Life is a mystery / Everyone must stand lonely / I hear yous call my name / And information technology feels like…'—wait for it—'Home.' And lo, the drumbeat kicks in and nosotros're thrust right into the chorus.
'Like a Prayer' is a crazy, outlandish, imaginative, absurd song, which makes its success every bit a trip the light fantastic-floor filler all the more than ridiculous and wonderful. Add in a dollop of worldwide scandal, objections from the Vatican and the sickest gospel coda e'er to feature in a pop vocal—and y'all have the greatest party vocal ever recorded. Ladies and gentlemen, nosotros thanks.
2. '1999' by Prince
'If you didn't come to party, don't bother knockin' on my door,' the diminutive Minneapolis genius alleged in one of the earliest blockbuster hits of his purple reign. Similar Orwell's 1984 and Kubrick'southward 2001, Prince's '1999' is less a sell-by engagement than a declarative prediction made timeless by persuasive art. Information technology isn't possible to political party like it's 1999 every single time – hey, nosotros're just human – but this song will become fifty-fifty the dullest wedding disco popping.
3. 'Single Ladies (Put a Ring on Information technology)' past Beyoncé
If you lot weren't already a member of the Beyhive, this one surely got yous hooked. It'southward an canticle for single ladies everywhere, yes, simply an infectious dance number for all. Come on, who can resist that chorus or trying to copy those Fosse-inspired dance moves? This song has '...one of the best videos of all time' according to Kanye Westward, and pretty much everyone else too.
four. 'Gonna Make You Sweat' by C+C Music Factory
'Everybody, dance now!' So goes this song's yelled refrain, and we'll wager you'll have a hard time non shaking what your mama gave y'all when the shell kicks in. Masterminded by American product duo C+C Music Manufacturing plant (David Cole and Robert Clivillés), 'Gonna Make You Sweat' paved the fashion for a slew of chart-friendly house hits in the early '90s, and made wearing cycling shorts okay. Rejoice!
five. 'Call Me Possibly' by Carly Rae Jepsen
For anyone who's ever relished the delicious longing of a summertime crush (that'due south all of you, then), Canadian popstrel Carly Rae Jepsen crowned summertime 2012 with this perfect popular anthem. The song inspired parody covers from Justin Bieber (who 'discovered' the track), Katy Perry and the U.Southward. Olympic Swim Team, among about a billion others.
6. 'Hey Ya!' by OutKast
OutKast'southward future seemed uncertain in 2003 when the acclaimed Georgia duo of AndrĂ© 3000 and Big Boi appear the release of 'Speakerboxxx/The Dear Below'—less a new group album than a pair of conjoined-twin solo sets, with each fellow member making token appearances on the other's disc. But critics were silenced by the irresistible single 'Hey Ya!' A limber funk bassline, a paw-clapping refrain and a uncomplicated, unforgettable chorus made this AndrĂ© 3000 vehicle trip the light fantastic toe-floor catnip, even earlier you lot saw the deliciously daffy music video.
seven. 'Poison' by Bell Biv DeVoe
Bop bop-bedop bop-bedop-bedop pow! If there'due south a more enduring drum sample than that 1 that leads off this 1990 marvel, we've even so to hear it. The tune that follows is a clinic in new-jack-swing excellence, a classic caveat-emptor tale concerning an irresistible femme fatale ('cut', every bit it were, 'like an Afro'), fix to a staccato shuffle beat and crowned with that heavenly Ricky Bong hook. Yeah, pure trip the light fantastic-flooring venom.
eight. 'Stone with Y'all' by Michael Jackson
MJ'due south hits grew increasingly hard-edged as he entered the 'Bad' zone, but earlier triumphs—like this 'Off the Wall' masterpiece—still feel most impossibly cushy, like easing onto the plushest sofa imaginable. It's a safe bet that Daft Punk had the ultra-luxurious disco groove of 'Stone with You' in mind when they crafted 'Get Lucky': strings, horns that perfectly calibrated tempo and those irresistible come-ons from the time to come King of Pop. This 1 is pure class.
9. 'Push Information technology' by Common salt-N-Pepa
You're not just encouraged to dance during this jam, one of the all-female person rap coiffure'southward first and biggest hits; you're really ordered to hit the trip the light fantastic toe floor and work up a sweat. Given the song'southward thumping beats, information technology's pretty much impossible to ignore that request. (We'll ignore the ruling from Hurby 'Luv Problems' Azor, who guests on the song, that pushing it is 'only [for] the sexy people.')
10. 'Political party Rock Anthem' by LMFAO
There's something cute nearly the purity of EDM-rap duo LMFAO's music. Words like 'conscious' or 'progressive' or 'future' do not apply here – at all. They take fun. You have fun. Nosotros all have fun. This song hinges on the phrase 'Every day I'one thousand shufflin,' for Christ'due south sake. Don't overthink it. Relax, enhance a drinking glass, and heed their request to 'just have a good time.' Australia certainly did: there, it's the eighth all-time-selling song of all time.
xi. 'Uptown Funk' past Mark Ronson ft. Bruno Mars
How many times can yous listen to this song before it gets old? It never does. This collaboration between Bruno Mars and Mark Ronson was their 4th, and it took off like wildfire. It continues to prepare trip the light fantastic toe floors ablaze with its funky grooves, putting everyone in the mood to dance – and channel 'Michelle Pfeiffer / That white gold'.
12. 'Groove Is in the Center' past Deee-Light
In this tale of the anything-is-possible East Village of the late '80s, a trio of candy-coloured gild kids—Super DJ Dmitri, Lady Miss Kier and Towa Tei—determine to form a band. The threesome (with a piffling assist from ringers Q-Tip, Maceo Parker and Bootsy Collins) come up upwardly with 'Groove Is in the Middle', a sweetly innocent percolator of a tune that, confronting all odds, becomes the worldwide social club smash of 1990. True story!
xiii. 'Got to Be Existent' past Cheryl Lynn
The opening horn riff of Cheryl Lynn'south first and best-known single is and so certain to trigger a flood of dopamine in your brain, it could rightly be described as Pavlovian. What follows is a headlong fall into disco heaven—one that no 1 was in a hurry to become up from: The tune reappeared on the U.K. Singles Chart in 2010, more than than 30 years after its release. It's also been embraced every bit a bona fide – and utterly joyous – LGBTQ+ anthem.
14. 'Wake Me Upwardly Before You lot Go-Go' past Wham!
Some parties are cool. Some have gimmicks. Some mark a special occasion. But the very best parties accept a feeling of unbridled joy to them, and this 1984 hit from Wham! is a 100% proof distillation of the smiley stuff. It is, of course, utterly ridiculous, from the opening 'Jitterbug!' intro, to George Michael's white trousers and 'Choose Life' T-shirt combo in the video. But sweet Lord, those loftier notes, the slap bass and that contumely breakup! Also good.
15. 'Gangnam Style' by Psy
The to the lowest degree likely delinquent smash of all time? With a video that's at present racked upward more than 4 billion views, Psy is without question a juggernaut-size quirk complete with his natty couture and pony-gallop signature dance. Still, he could hardly fail with this vocal's thumping beat and 'hey, sexy lady' refrain. Simply bright.
16. 'The Power' by Snap!
'The Power' might be nearly famous every bit a snippet in service of jock jams, merely the tune is a forcefulness: It'south a paranoid, rushing affair, anchored by the accordingly named American emcee Turbo B. His rhymes only accept the silver when compared to Jackie Harris's cries of 'I've got the power!' Nostalgic, yes, only still alive enough to go the crowd ultra-pumped. Oh snap!
17. "Pump Up the Jam" by Technotronic
Ceaseless use of the discussion booty, a driven 4-on-the–flooring drumbeat and a psychedelic music video featuring divas in neon spandex suits spinning similar propellers. It's no wonder "Pump Up the Jam" became a massive hit in 1989, pretty much boot-starting the mainstream hip-business firm movement. Who could resist those insouciant vocals (supposedly uttered by Congolese model Felly Kilingi), littered with slang phrases that you haven't heard in at least xv years? Likewise notation: Pump upward the jam became a slang term for masturbation in Flemish. The more you lot know, people.
18. 'U Tin't Touch This' past MC Hammer
If you desire to turn your ego-boosting novelty tune into a dance-floor sensation, you tin practice far worse than to start with an already-proven funk smash like Rick James'southward 'Super Freak' every bit your bankroll track like Stanley Kirk Burrell did. The official video seals the deal: Fifty-fifty Hammer'due south baggy trousers scream conviction.
xix. 'Baby Got Back' by Sir Mix-a-Lot
Pure comedic genius isn't exactly what comes to mind when thinking well-nigh early '90s rap, only controversy sure is. Sir Mix-a-Lot'due south love letter to circular behinds was—to the Tipper Gore crowd—super sexual filth. Just information technology's a destructive, tongue-in-cheek send-upwards of the hip-hop lifestyle: a Blackness man's counterpart to Spinal Tap'southward 'Big Lesser.' It was even prescient: How many 'serious' rap videos followed with tight shots of the lesser one-half of curvy ladies? Nigh have a favourite line from the cutting, Mix-a-Lot's euphemisms and analogies rolling off the line like the Barbies he laments. 'Babe Got Back' was the second acknowledged song of 1992. The No. i slot went to quite a different brandish of dotty intentions: Whitney Houston's 'I Will Always Love You.'
twenty. 'Relax' by Frankie Goes to Hollywood
Frankie'south 1983 debut single didn't just spawn an iconic T-shirt – information technology likewise became 1 of the decade's most transcendent lodge hits. Nearly forty years afterwards, it remains a hypnotically potent combination of Hullo-NRG dance-popular and swaggering disco-stone that hits the spot whether you lot realise Holly Johnson is singing about gay sex or not. It's a banger that adds bite to any party.
21. 'I Love It' by Icona Pop
Though information technology was a sweaty, coke-fuelled, boobs-flying-every-which-style scene on Lena Dunham'southwardGirls that bulldozed the Swedish duo'south synthed-upward jam to the top of the charts, it'southward been a dance-floor starter since its release in early 2012. Crank it upward and shout, 'I crashed my car into the bridge / I don't care!' at the top of your lungs for ultimate DGAF revelry.
22. 'Osculation' by Prince
The omnisexual twirls and splits Prince busts in the official video for this sleek 1986 jam might catechumen the most hardened disbeliever, merely honestly, he had us at the tingly guitar licks, the tighter-than-a-duck'due south-donkey trounce and the instantly memorable chorus: 'You don't accept to exist rich to be my daughter / Y'all don't have to be cool to rule my world.' Yous don't believe him, of course—merely you want to.
23. 'Dancing With Myself' by Billy Idol
This song was originally written and recorded by Generation 10, the punk foursome fronted by Baton Idol, before he remixed and re-released the runway every bit a solo try in 1981. It was a smart move, considering nothing is quite and then foolproof every bit a vocal almost dancing lone (From Robyn to Whitney, information technology'southward pretty much a power-popular lay-upward.) After all, there's not one among us who hasn't felt the anguish of loneliness on the dance floor. Thankfully, with a vocal as universally honey as this, it's pretty well guaranteed y'all'll never fly solo.
24. 'California Love' by 2pac
Merely out of prison house and newly signed to Death Row Records, California rapper 2pac was in demand of a improvement hit, and he found one in 'California Love'. Produced by W Coast vanquish overlord Dr. Dre, it was one of the most successful songs of 2pac's career, and left no doubt in anyone's mind that California virtually certainly knew how to party.
25. 'Shake Information technology Off' past Taylor Swift
Taylor speaks words of gleaming truth on this 2022 boom, which suggests the all-time way of dealing with life's haters is to let loose on the dance floor. 'Information technology's like I got this music in my mind /Sayin' it'southward gonna be alright,' she sings on the pre-chorus, and when this accented bop comes on, you'll feel exactly the same.
26. 'Tik Tok' past Ke$ha
If you demand to rev up the dance party, look no further than the blonde pop queen's debut single. On this 2009 banger, Ke$ha's agenda is uncomplicated and straightforward: Get prepare with the girls, mingle with the dudes, pound the Jack Daniels, don't sleep until the dominicus comes up. Rage on, yo.
27. 'Yep' by Usher
This may exist an Usher song, merely it bears the unmistakable mark of inimitable Southern rap don Lil Jon. And not just because the hook hinges on one of Jon's signature outbursts; he as well produced the track, crafting a seamless alloy of crunk and R&B that came to be known every bit "crunk&b." Velvet-voiced rhymesmith Ludacris likewise lends a verse, cementing this tune's condition as an eternal party starter.
28. 'Hella Expert' by No Dubiousness
Gwen Stefani dropped her become-to quirky and emo poses on this one, in the process outing herself as a seriously badass trip the light fantastic-floor commando. It didn't hurt that she got a writing assist from Neptunes' Pharrell Williams and Chad Hugo, or that the band chose to lead off with a spiffy homage to the ever-mortiferous 'Billie Jean' beat. Y'all'll detect snarly guitars, a bangin' pulsate fill or ii, and other subtle nods to No Dubiousness's alt-rock full-blooded, merely in the stop, this is simply an early-aughts update on what the Parliament coiffure liked to telephone call 'uncut funk'. And that'south why it withal slaps.
29. 'SexyBack' by Justin Timberlake
'I'm bringing sexy back', one-time Mouseketeer and boy-band escapee Justin Timberlake declares at the outset of his 2006 unmarried, making the case that he'd grown upwards more frankly than a y'all-know-what in a box. Add together Timbaland'due south slinky groove to Timberlake'due south come up-here 'tude, and your post-dance-floor destiny is unquestionably horizontal.
30. 'Oh Yeah' past Yello
How do you turn a six-year-one-time Swiss cult act into an overnight sensation? Add together Matthew Broderick, manifestly. 'Oh Yeah'—with its altered vocals and driving pulse—wasn't so different from plenty of previous singles by this oddball electronica duo, but when it was cleverly used in John Hughes's 1986 comic masterpiece, Ferris Bueller's Day Off, information technology became ubiquitous.
31. 'Nasty' by Janet Jackson
'I could learn to like this', Janet Jackson announces over the hammer-blow shell of the 2d unmarried from 1986's 'Control', a declaration of independence and attitude. 'Who'due south jammin' to my nasty groove?' she demands while stomping and twisting through Paula Abdul'due south choreography in the video. We all are, Miss Jackson, nosotros all are... even 36 years later.
32. 'Bulletproof' past La Roux
1 of the biggest hits of 2009 was an unexpected ane: the tertiary single from the British duo's eponymous debut album. Undeniably catchy and fun, 'Bulletproof' bathes in a cross-appeal bolstered by vocaliser Elly Jackson'southward swagger-laden vocals and 1980s pop-synth musculus. When it's on, dancing is not optional.
33. 'Just Dance' by Lady Gaga
No list of political party songs would be complete without a head nod to the woman who redefined trip the light fantastic toe-popular music in the late aughts. Trip the light fantastic parties but weren't the same before Lady Gaga took the music industry by storm with 'Just Trip the light fantastic toe', the debut unmarried off of 2008's 'The Fame'. Reportedly written in just 10 minutes, 'Simply Dance' captures that perfect mix of innocence and craziness that makes people want to cut loose and swoop into the madness of the dance floor.
34. 'Hips Don't Lie' by Shakira
From its opening confined, this 2006 jam gets it right, appropriately heralding the entrance of Colombian popular royalty with a fanfare of trumpets. Few are able to meld a savvy hook and a globally-influenced beat as seamlessly as Shakira, which she does hither with a salsa sample, a reggaeton pulse and a bilingual help from Wyclef.
35. 'California Gurls' by Katy Perry
Katy Perry and Snoop Dogg'southward 2010 megahit reaffirms the indisputable truth established by Tupac in the mid-'90s with 'California Love': 'California… knows how to party.' Yep, as the frosting-expelling pop star confirms in this ode to summer fun, the Gilded State is the best place for bikinis, beaches and baking in the sunshine. Just its brash beat would whip a trip the light fantastic toe flooring into frenzied energy anywhere in the world.
36. 'Nosotros Establish Dear' by Rihanna
A collaboration between Scottish electro house kingpin Calvin Harris and popular superstar Rihanna, "We Found Love" is a perfect tempest of massive club sounds and soaring pop hooks. An irrepressible alloy of euphoria and despair, the tune sabbatum atop the Billboard Hot 100 for ten not-consecutive weeks, establishing it as RiRi's longest running number-one single.
37. '(You Gotta) Fight For Your Right (To Political party)' past Beastie Boys
The Beastie Boys' breakout hit was originally meant to poke fun at the drunk antics of meathead party boys, but information technology ultimately became i of the outfit's best-known anthems. Given the song's adept blend of brazen, juvenile raps and chunky guitar riffs, information technology's not difficult to run into why. Although, years later, Adam Yauch, a.grand.a. MCA, famously cautioned, 'Be careful of what you make fun of or yous might become it.'
38. 'Trap Queen' by Fetty Wap
The music industry took a infinitesimal to grab air current of Fetty's earworm-machine potential, but once cyberspace virality took concur a year later the original release of 'Trap Queen', the rise was nothing short of meteoric. This sensitive and soft-hearted love song has rapidly turned into a quintessential summer classic—no (trap)house political party is complete without it.
39. 'Stayin' Live' past Bee Gees
No matter how late it gets, what better way to go on the political party going than the supremely uncool absurd of the Bee Gees? With that ultra-funky bassline and the Gibb brothers' falsetto harmonisation, the magnetism of 'Stayin' Alive' will make any party experience like the golden age of Studio 54. And then pop open that top button and dust off your disco moves every bit you surrender to the groove.
40. 'Let's Get It Started' by The Blackness Eyed Peas
'We got five minutes for us to disconnect / From all intellect / Collect the rhythm effect.' Will.i.am's opening lyrics pretty much sum upwardly the sentiment of the Black Eyed Peas' hitting single, taken from their 2003 album 'Elephunk'. 'Let'south Get It Started' is a pure and simple political party alarm, letting folks know information technology'southward time to get upwards and moving.
41. 'Beat It' past Michael Jackson
Few songs are as immediately recognisable as Michael Jackson's 1983 smash 'Trounce Information technology'. Those haunting opening synth hits are only dissonant enough to put the listener on edge, baiting them to stay with information technology, like the entrance music for a professional wrestler. And then that driving guitar riff comes in like an uppercut to the jaw, followed by MJ'due south opening line, 'They told him don't yous ever come around here / Don't wanna run across your face, you better disappear.' 'Beat out It' has a unique aggression that not but triggers those cardinal, competitive instincts, only too makes you desire to dance your donkey off and sing at the summit of your lungs.
42. 'What'd I Say' by Ray Charles
Yes, aye, it's over 50 years onetime and your grandparents might've made out to it. But good gosh if this isn't one of the sexiest, wildest songs on this list. It starts out pretty civilised, with that unmistakable keyboard intro, and lickety-carve up cymbal beats. Then Ray starts singing virtually lovin' yous all night long with wicked intent, the contumely starts up, the backing singers bring together in, and you accept one hot, fine mess.
43. 'Limited Yourself' by Madonna
No song captures the essence of Madonna'due south iconography quite similar 'Express Yourself', a daughter-power pep talk delivered in an amped-upward version of funky 1970s soul. Its unprecedentedly lavish video—directed by a pre-Seven David Fincher in an appropriately Expressionist style—embodies Madonna's defining persona as a fiercely sexual chameleon. One infinitesimal she'southward the boss lady in a power suit and a monocle, grabbing her crotch similar a butcher version of Michael Jackson; the side by side, she'due south crawling on all fours and lapping a bowl of milk. Even when she's literally in chains, neither the video nor the singer leaves any doubt as to who'south in charge.
44. 'Get Lucky' by Daft Punk
This hugely anticipated (not to mention hyped) comeback single from Daft Punk became the summertime anthem of 2013. 'Get Lucky' finds the French duo switching its modus operandi from referencing classic disco music to really creating it: The single features (and was co-written past) Chichi star and producer Nile Rodgers, and hip-hop mastermind Pharrell Williams—who, you may be interested to know, heard about the projection from Daft Punk at a Madonna party.
45. 'Rehab' by Amy Winehouse
This 2006 single found the late, slap-up British soul vocalist Amy Winehouse at the peak of her talents, fifty-fifty as she sang about the depths of her despair. For her 'Back to Black' anthology, producer Mark Ronson teamed Winehouse with Brooklyn funk musicians the Dap-Kings, resulting in songs that are as groovy as they are night. 'Rehab' became Winehouse's signature unmarried, finding the iconic vocalizer defiant to the stop.
46. 'Celebration' by Kool and the Gang
As long as the good times keep going, so will the political party, and nothing lights up a dance flooring quite like a footling disco (mirror ball included). So find yourself a drink and a partner—or rather, bring your laughter, as well—and toast the good times with this 1980 megahit.
47. 'Surrender the Funk' by Parliament
Where to outset among the booty-bumpers and rump-shakers bequeathed upon a grateful nation by Parliament-Funkadelic acid-funk overlord George 'Uncle Jam' Clinton? 'Flash Low-cal', 'Bop Gun', '1 Nation Under a Groove'—we're spoiled for choice. This laid-back cut gets the nod for its mantralike vocals: When 'we want the funk' rubs against 'plow this female parent out', the outcome is groove nirvana.
48. 'Ain't Too Proud to Beg' past the Temptations
Nosotros're don't want her to leave either, dudes. The Temptations' 1966 Motown staple boasts a two-chord chorus that's ridiculously snapworthy. And David Ruffins's tortured-yet-sweet lead-song verses are perfectly suited for drunken sing-alongs.
49. 'Practise You Beloved Me' past the Contours
Ah, the sweet ecstasy of raw '60s soul music, as perfected on this 1962 hit, written and produced by Motown mastermind Drupe Gordy. There are and then many things to love, from the spoken-word intro—'You lot broke my heart / 'Crusade I couldn't trip the light fantastic toe'—to the explosive groove that hits as our narrator shows off his newfound dance-flooring destroying skills: 'I can mashed murphy! I tin practise the twist! Now tell me baby, do you like it like this?' Yous desire more? How about a false ending and surprise return? And of course, the vocal features in Dirty Dancing; 'Practice You Love Me' is the number that's playing when Babe carries a watermelon across a writhing trip the light fantastic toe floor. Writhe on, kids!
50. 'I Got You lot (I Feel Good)' past James Brown
James Dark-brown may non have had the most svelte offstage persona, simply the hardest working man in showbiz was a i-man party-starter. 'I Feel Good' is dance-flooring dynamite, with its tight, funky groove, grin-inducing chorus and that killer saxophone riff by Maceo Parker. Boom!
51. 'Tightrope' by Janelle Monáe
Like Prince before her and Bruno Mars soon after, Janelle Monáe showed that she'd taken the lessons of James Brownish to eye: not just with the piled-high pompadour, simply with the minimalist beat, sassy brass, urgent bassline and, more than anything, the positively hypnotic urgency of her monotone verses on this 2010 R&B banger. Truly euphoric stuff.
52. 'Super Bass' past Nicki Minaj
Nicki was turning heads with riotous rhymes for a few years earlier 'Super Bass', but this was the track where she proved that her pop instincts were as abrupt as her kiss-offs. The genius of the song is the way information technology combines Minaj'south signature loose-cannon loopiness—dig that sudden lapse into a cheesy British accent, or the 'Yes, I did; yes, I did' refrain—with a smashingly bubblegum chorus. Nicki, you lot've nevertheless got our heartbeats running away.
53. 'Hot Girl Summer' by Megan Thee Stallion
What's a hot daughter summertime? Well, regardless of the season, it'south near doing your matter and not caring what other people think. Megan Thee Stallion and her 2022 summer canticle embody that ideal. She brings the heat, and this vocal will make yous want to simply have a skilful fourth dimension and not give a damn. Put on this track and everyone can feel like the life of the party.
54. 'Gold Digger' by Kanye West feat. Jamie Foxx
We desire prenup! It's a testament to the sheer infectiousness of the biggest hit from Ye's classic 'Belatedly Registration' album that this funny, whip-smart and completely unromantic song was a staple at wedding receptions in the mid-aughts. Seventeen years after it dropped in 2005, it remains admittedly baking.
55. 'Mo Coin Mo Problems' past the Notorious B.I.G.
Life didn't imitate, only rather predated, fine art when Brooklyn rap maestro the Notorious B.I.G. was gunned downwardly months before the release of his No. 1 boom, 'Mo Money Mo Issues'. Brushing aside the bluster, bravado and East-West feudin' that led to his untimely demise, nosotros choose to focus on this undeniable fact: Big Poppa e'er got the party poppin'. On 'Mo Money Mo Problema' he is ably assisted by 'Harlem Earth' rapper Mase and ubiquitous hype man Puff Daddy (in the days before Diddy), simply it's all prologue to Biggie'due south verse. And when Poppa implores united states of america, 'Throw your rollies in the heaven / Wave 'em side to side,' his ability to unite the earth under ane outrageous all-night bacchanal becomes articulate: Nosotros all—freaks and geeks, jocks and hipsters, suits and slackers, New Yorkers and Angelenos—know what to practise.
56. 'In Da Social club' by 50 Cent
Eventually, every teenager reaches the age of feeling too absurd to sing 'Happy Birthday' on his or her big twenty-four hours. In 2003, 50 Cent filled the natal-celebration void with 'In Da Club'. The at present-iconic opening verse, 'Go shorty / It's your birthday / We gonna party like information technology's your birthday' makes "In Da Club" an obvious choice for any party that serves shots instead of fizzy drinks.
57. 'O.P.P.' by Naughty by Nature
Naughty past Nature'southward hits have become a flake of an inside joke every bit of late, childhood memories of repetitively watching Hip Hop Hooray on MTV surging dorsum into gimmicky existence. But 'O.P.P.' isn't merely irony catnip for thirtysomethings: Information technology's a fantastic hip-hop vocal, consummate with a Jackson v–sampled hook and ribald insinuations. (If you weren't hip to the New Jersey crew'south inferences dorsum in the mean solar day, surely the moans in the groundwork tipped you off.) Arm me with harmony.
58. 'Thong Song' past Sisqo
No i can be held responsible for what transpires in the four minutes after the opening cord tune of Sisqo's breakout single 'Thong Song'. Released in 2000, the ditty received multiple Grammy nominations and effectively launched the R&B crooner'due south solo career. For a song about underwear that contains the lyric 'she had dumps like a truck', that's pretty impressive.
59. 'College Ground' by TNGHT
Fifty-fifty after its brusk-lived heyday, TNGHT remains one of electronic music's most potent recent matchups. Bass luminary Lunice'south society-rattling beats make a viciously ferocious pairing with the recklessly maximalist synth-frenzy of Kanye-affiliated producer Hudson Mohawke. The single which launched them to trap-mainstay-status consists of just a few elements (a looping vocal sample, seismic 808 drums, and a stomping horn riff) but together they can make a political party audio undoubtedly enormous.
sixty. 'Started From the Bottom' by Drake
Drake is an enigma wrapped in a riddle wrapped in another enigma wearing sweatpants. On the i hand: multipazillionaire hip-hop star/ladies' man/Lil Wayne-BFF who curses a lot. On the other: makes super-meta, hilarious, on-point videos like this ane from 2013, which mocks the very lifestyle it celebrates. Avoid overheating your brain on conundrums similar this by just turning your stereo upward actually loud, hitching up your low-slung trousers and throwing some shapes.
61. 'Take on Me' by A-ha
Pop-idol pinups they may have been, merely the members of Norwegian trio A-ha also fabricated smashing, genuinely inventive music in their mid-'80s heyday. The precious stone in A-ha's crown, of course, is the dazzling debut unmarried 'Have on Me'. This synth-popular gem is chiseled like a diamond, with a perfect keyboard riff and a tune that moves in and out of major keys just as singer Morten Harket's phonation turns from desperate to hopeful and back again. Add in the trailblazing animated video, and 'Take on Me' became indelibly imprinted on the encephalon of anyone who saw information technology.
62. 'Wannabe' by the Spice Girls
Sure, there are probably 'better' Spice Girls songs – the disco update 'Who Do You Retrieve You Are', the Motown tribute 'Stop' – just this rollicking debut single still feels like an electric stupor to the soul. It'southward a fearless statement of intent from a feisty 5-piece who rewrote pop's rule volume in the '90s past proving that girls could claim spaces traditionally occupied by the boys. If you were there, you lot'll withal remember every word – right downward to 'Zigazigah!'
63. 'I Wanna Dance with Somebody (Who Loves Me)' by Whitney Houston
In the wake of Houston's tragic death over a decade ago, we heard this immortal jam, more than whatever other single by the pop queen, blasting at parties and confined, and information technology wasn't hard to run into why. A striking in 1987, 'I Wanna Trip the light fantastic toe with Somebody' embodies Houston every bit we all want to recollect her: carefree, upbeat and bursting with exuberant emotion. The vocal itself embodies all those qualities and endures as a quintessentially '80s trip the light fantastic toe-floor masterpiece for the ages. You tin can't not beam when this one'southward on.
64. 'Here Comes the Hotstepper' by Ini Kamoze
Jamaican dancehall toaster Ini Kamoze burnt up clubs in 1994 with this irresistible groove, which has its roots in the 1964 Wilson Pickett hitting 'Land of a Thousand Dances'. Check that vintage video and y'all'll see from where the afterward single gets its naa na na na naahs. Still, 'Here Comes the Hotstepper' has its own laid-back, deliciously funked-up vibe, thanks to an obscenely fatty bassline—not to mention the lyrics 'Actress-ordinary / Juice like a strawberry.' The song hit the top of the charts in the U.S. afterward being featured in Robert Altman'southward fashion send-up, PrĂŞt-Ă -Porter. All together, now: murderer!
65. 'Jump Around' by House of Pain
California hip-hop trio Firm of Hurting's international hit single was produced by Cypress Hill's DJ Muggs, who deftly used samples of rhythm and dejection icon Chubby Checker and Motown staple Junior Walker & the All Stars. Just never mind all that. Growing up, what was important virtually this song was what you did when you heard it. Forget the body roll and the butterfly, when 'Bound Effectually' comes on the speakers, it'due south fourth dimension to mosh.
66. 'It Takes Two' by Rob Base of operations and DJ E-Z Rock
Since 1988, this high-powered hip-hop jam from Harlem'due south MC Rob Base and his turntable wingman, DJ E-Z Stone, has hyped up countless arenas, nightclubs and pool parties the world over. Its instantly recognizable sample of Lyn Collins' 'Think (Most It)' inevitably gets the crowd bouncing and shouting, 'Woo! Yeah!' in unison. Yet it's the song's, um, baser innuendos that elevator information technology to the next stratosphere of political party-playlist immortality. Because when you footstep off the trip the light fantastic toe floor and brainstorm your approach toward that honey you've had your heart on all night, you lot'll be mighty glad that the object of your affection is nevertheless breathlessly bustling the refrain, 'It takes 2 to brand a thing become right / It takes ii to make it out of sight.' Hitting it!
67. 'Due north**gas in Paris' by Jay Z & Kanye West
Pusha T rejecting this massive Hitboy-produced beat might take been for the best (according to him information technology sounds like a video game) considering the star power from the respective husbands of Kim and Bey turned the guaranteed banger into a veritable club anthem. And it's become a necessary party bonding activeness, likewise: trashed guests inevitably screaming "that shit cray!" at each other and somehow still mustering riotous laughter in response to that one Will Ferrell Blades of Glory sample (did anyone really watch that motion-picture show?).
68. 'Rump Shaker' by Wreckx-N-Effect
There may exist more poetic paeans to the female posterior, but few will get those glutes moving on the trip the light fantastic toe floor quicker than this New Jack Swing duo's hit about… well, check the title. Credit that saxophone sample lifted from the Lafayette Afro Stone Ring or the catchy chorus near wanting to 'zoom-a-zoom-zoom in your boom-boom,' but either way, this early on-'90s ditty always lives up to its title.
69. 'Walk This Way' by Run-D.Grand.C. with Aerosmith
Nevertheless funky Steven Tyler and his Boston hard-rock road dogs might take been during their prime number, the thought that Aerosmith could fill a dance flooring without passing out on it during the afterwards-party didn't happen until Jam Master Jay, Run-D.M.C.'due south slashing DJ, pulled the grooves clear off the vinyl in 1986. It's a genre-busting collaboration that still feels thrilling more than than 35 years later.
70. 'What Makes You Beautiful' by 1 Direction
The members of One Management may however take been fighting through their teen years when this track was released, simply they sure knew how to go people dancing. Step bated, Aaron Carter; this banger signalled a new generation of boy bands, bigger and ameliorate than ever. Keep your fingers crossed Harry Styles slips it into the setlist on his next tour.
71. 'Da Ya Think I'thou Sexy?' by Rod Stewart
Borrowing a chorus from Brazilian cult star Jorge Ben Jor's 'Taj Mahal,' Rod Stewart struck dance-floor gilt at the meridian of the 'Disco Sucks' era. Today, Ben Jor's still a cult hero, Stewart's still going strong, and this louche, seductive cut has long since transcended its guilty pleasure status.
72. 'Y.M.C.A.' by the Village People
The widespread success of the Hamlet People may be the most dramatic case of how gay civilisation went mainstream in the disco era. Dolled upwardly in costumes that camped upward masculine archetypes, the quintet sang paeans to sailors, cops and macho men in lyrics carefully crafted to laissez passer. To those in the know, 'Y.1000.C.A.' was a coded celebration of cruising hot guys at a public gym. But to the balance—dancing along to the chorus at weddings, beach resorts and sports events around the world—it's just a swell excuse to shape your body into messages of the alphabet.
73. 'Ane, 2 Step' by Ciara ft. Missy Elliott
Ciara and Missy Elliott team upwards for this old-school, 'Planet Rock'–inspired hip-hop tune that'due south perfect in its minimally produced simplicity. Its laser stabs and handclaps repeat the genre's electro origins without sounding like a history lesson. If merely school were this much fun.
74. 'What I Similar About You' by the Romantics
Less a conventional dance nail than a fizzy burst of all-American garage rock straight out of the Motor City, 'What I Similar Nearly You lot' has the kind of no-brainer verse, sing-along chorus, bratty attitude and no-nonsense backbeat (courtesy of singing drummer Jimmy Marinos) that makes resistance futile.
75. 'Whip It' by Devo
Akin to Poindexter and Booger throwing a better shindig than the jocks in Revenge of the Nerds, Devo whipped out a total, hot party on this classic synth smash from 1980. The video became an instant slice of popular-culture history every bit the band donned its trademark red energy domes and cofounder Mark Mothersbaugh snapped women'southward clothes off with a whip in a land reminiscent of the group's native Ohio. Take that, Ogre and Stan.
76. 'Straight Upward' past Paula Abdul
Exit information technology to Abdul—a well-known choreographer earlier she began her singing career—to know what makes a perfect dance-party tune. Pulsating shell, check; funky bassline, cheque; earworm chorus, bank check and check. (Oh, oh, oh!)
77. 'Beloved Shack' by the B-52'due south
After a decade that saw the beehive-topped political party band enshrined in the higher-rock pantheon—and dealt the grouping a crippling blow with the decease of dear guitarist Ricky Wilson—the B-52s roared back to their career peak with this ode to a 'little place where nosotros tin go together.' Tin roof, rusted—what does it mean? Don't bother: This Chrysler's as big as a whale and it's about to gear up sail.
78. 'Don't You Want Me' by the Human being League
The Homo League's groundbreaking 1981 album 'Dare' helped conductor in the age of electropop—and the track nigh responsible for that paradigm shift was 'Don't Y'all Want Me'. Just despite the vocal's obvious pleasures—its sauropod-size synth riffs and the chorus's devastatingly effective vocal hook amongst them—it's a bit strange that "Don't You Want Me" has become 1 of the globe's almost played party tunes: Lyrically, it'southward the rather depressing tale of a gal who'southward outgrown a guy, and a guy who implies (somewhat disturbingly) that something bad will happen if the gal doesn't come up back. Probably best to gloss over the lyrics and enjoy that enormous chorus.
79. 'Rio' by Duran Duran
The band described itself every bit Chichi meets the Sex Pistols, but its boisterous sound was all its own: skittering drum beats, aqua-blue synth burbles and a galloping bassline courtesy of male monarch pinup John Taylor. Less a slice of '80s cheese than a functioning fourth dimension machine to that decade, this song will add gel to your hair, shades to your eyes and a sandy beach beneath your anxiety.
80. 'Tell It to My Centre' by Taylor Dayne
The Long Island native born Leslie Wunderman sounds positively voracious on her 1987 signature hit. Few trip the light fantastic toe-pop classics feel more urgent or fierce than 'Tell It to My Heart'; you tin see that Dayne's been waiting her whole life to belt out lines like 'Trunk to torso / Soul to soul / Always feel yous virtually.' The lyrics might read similar bad student poetry, but blend them with unabashedly hammy '80s synths and a so-passionate-it'due south-a-little-scary delivery, and the result is a sonic Roman candle, blasting fireballs of fun onto the dance floor.
81. 'Centre of Glass' by Blondie
"'Heart of Glass' was one of the first songs Blondie wrote," Debbie Harry has been quoted equally saying, "but information technology was years earlier we recorded it properly. Nosotros'd tried it as a ballad, as reggae, simply information technology never quite worked." Equally a machine-tooled disco ode to lost beloved, featuring crystalline synths, a throbbing rhythm section and, floating above it all, Harry's icy-cool teen-dream vocals, the 1978 cutting more than worked—it slayed. And it still does.
82. 'Last Nite' by the Strokes
They may have thrown us off the olfactory property with their greaseballs-in-leather-jackets shtick, only 1 of the Strokes' greatest achievements was reminding the earth that rock & ringlet originally functioned as dance music. Few contemporary songs make us yearn for the days of the sock hop more than the unmarried that catapulted these hometown faves into the big time. Nitpick re: the 'American Girl' similarities all y'all desire, but the combination of Julian'southward disaffected yowl, Albert and Nick's chirpy chords, Nikolai'south apprehensive throb and Fab'south unflappable bounce all the same carries a rare kick-scootin' charge.
83. 'Tainted Beloved' by Soft Cell
Early '80s synth-popular rules – fact. Soft Jail cell, a U.K. duo comprising singer Marc Almond and beatsmith Dave Ball, also rule – bank check out their greatest hits on Spotify for proof. 'Tainted Dearest', their indelible update of an former Gloria Jones tune, nonetheless slaps more than 40 years after it was released – fact. Birthday now: 'Take my tears and that's not nearly aaaaaalll.'
84. 'Take Me Out' past Franz Ferdinand
The stomping drumbeats and angular guitars of Franz Ferdinand's first hit drew comparisons to postpunk forebears like Gang of Four or Wire. But the Scottish revivalists have a much poppier sensibility, and this 2004 rail is a claw-laden toe tapper, sure to entice even your snootiest 'I don't trip the light fantastic toe' friend onto the trip the light fantastic toe floor.
85. 'Song 2' by Blur
Britpop's foremost ambassadors changed their tune—quite literally—with their self-titled 1997 LP, embracing the crunchy guitars and lo-fi ethos of American grunge and indie stone that frontman Damon Albarn had once railed against. Unsurprisingly, it led to the band'due south biggest U.Due south. hit: 'Vocal two', a tricky, two-minute blast of Nirvana-esque riffs that became ubiquitous at stadiums and parties beyond the globe. (Merely please, don't refer to it as 'the woo-hoo song', nosotros beg of y'all.)
86. 'Dancing in the Dark' past Bruce Springsteen
The only thing amend than watching the video to this 1984 anthem—yes, starring a very dewy Courteney Cox—is dancing to the vocal yourself, as you chugalug out the lyrics with all the passion yous can muster: 'I own't nothin' but tired / Man, I'chiliad but tired and bored with myself!' 'Dancing in the Night' is also one of the Boss's sexiest moments. 'Hey there babe,' he sighs. "I could apply but a little help." Extra points to anyone who knows what that book is that Springsteen'south sittin' around trying to write.
87. 'Modern Love' past David Bowie
Before Nile Rodgers was bopping around with Daft Punk on 'Get Lucky', he was co-producing this gem from David Bowie's 1983 anthology 'Permit'due south Dance'. At that place's a serious propulsion to this song, which makes it one of Bowie'southward nigh undeniable crowd-pleasers. The great hateful opens the melody with a iconic spoken-word scrap before hitting his unmistakable high notes and singing of the concept at hand: 'Terrifies me / Makes me party / Puts my trust in God and human being.' Well said, David, well said.
88. 'Girls Just Desire To Have Fun' by Cyndi Lauper
Weirdly plenty, 'Girls Just Want to Have Fun' was originally written past a dude, Robert Run a risk, and sung from the perspective of a girl-crazy badboy. Cyndi Lauper revised the lyrics and re-recorded the song in 1983, inverting information technology into a girl-solidarity party anthem that remains timeless some 30 years afterwards.
89. 'Savage in Love with a Girl' by the White Stripes
Jack and Million White's 2002 hit was the starting time indicator that the Stripes were capable of a more polished, radio-friendly version of the raw garage-punk they'd previously perfected. (The ridiculously absurd, LEGO-filled video, directed past Michel Gondry, surely helped propel its popularity.) Put this on at a party at present and watch as anybody effectually you lot immediately begins to pogo.
90. 'Smells Similar Teen Spirit' by Nirvana
The song that divers an era makes most statements virtually information technology seem trite. Those echoing opening chords became equally familiar to the MTV generation as Pogs and Hypercolor—with a tad more shelf life. As far as partying goes, what's in a name? 'Teen Spirit' is all well-nigh anger and angst. (Kurt Cobain was but 24 at the fourth dimension of the song's release; he had a pretty good grasp on youthful malaise.) When you pop this 1 on at a fustigate, take a cue from the bros in the video's gym audition: Bang your head.
91. 'Don't Start Now' by Dua Lipa
Dua Lipa claimed a infinite on the popular A-listing with her superb 2022 album 'Futurity Nostalgia', a stylish collection of bangers that lived upwards to its elastic title concept. 'Don't Start Now', the anthology's lead single, is a defiant breakup song par excellence: all sass, attitude, and the irresistible sound of your confidence re-building. If it doesn't tempt your almost reluctant friend onto the dancefloor, aught will.
92. 'Happy' past Pharrell
Know what'southward and then bully nearly this song? The fact that it's defended to simply existence happy—information technology's not near finding bliss because of a specific reason—though, hey, if yous but got the job, kissed the girl, canoed the Hudson, any, then that's awesome. Pharrell is jubilant joy for the sake of joy on this 2013 global chartbuster. 'Handclapping along if you lot experience like happiness is the truth,' he croons in a way that makes doing anything else seem completely ridiculous. And so go ahead. Milkshake what you got. Turn that frown upside down. And relish every delicious motility you make on the dance flooring.
93. 'Blinding Lights' past The Weeknd
Too many '80s-inspired songs autumn into the trap of sounding similar a weak pastiche. This euphoric 2022 effort from The Weeknd is very much an exception to the rule.Co-written with Swedish songwriting genius Max Martin, its synthy shimmer manages to feel retro and contemporary at the aforementioned time – a tricky sweet spot to it. Ed Sheeran, who dominated 2022 with his own '80s-inspired bop 'Bad Habits,' was definitely paying attention.
94. 'Stone the Casbah' by the Clash
This funky hit from the Clash's 'Gainsay Stone' LP was an bibelot—honestly, the erstwhile punk godfathers had pumped out an even more than propulsive bassline for 'The Magnificent Vii' on its previous album, 'Sandinista!…' simply nobody heard that sprawling three-LP farrago, whereas 'Rock the Casbah', with its whiff of topical exotica, was inescapable thanks to MTV.
95. 'Super Freak' by Rick James
What is a party if non an excuse to unleash your inner freak? Rick James's 1981 hitting won't just get people on the trip the light fantastic flooring; information technology will have them billowy off the walls. With one of the catchiest basslines of all time, an irresistible vocal hook ('She's a very freaky girl') and killer backup vocals from the Temptations, "Super Freak" will accept the unabridged party on the ground trying to break-dance in no time.
96. 'All Dark Long' by Lionel Richie
The Commodores vocalizer with the voice as smooth equally an eel in oil released 'All Night Long' in 1983, and it still sounds perfectly crisp. Watch Richie's face lite up in the video every bit he sings, 'Fiesta, forever', and you'll know exactly what to do. He'due south known for existence 1 of the nicest men in pop, and on this song his natural warmth and effervescence are utterly infectious.
97. 'Got to Give It Up' past Marvin Gaye
A boisterous, presumably bell-bottomed crowd, gyrating on the dance floor of your imagination, can be heard high in the mix. Take their whoops every bit your cue: Marvin Gaye supplies the cool falsetto and someone can exist heard rocking the cowbell, just the prime directive here is to dance. When Paul Thomas Anderson needed a backdrop for Dirk Diggler's glory days in Boogie Nights, this is what he chose.
98. 'Pon De Floor' by Major Lazer
When 'Pon De Flooring' first dropped, Major Lazer still consisted of both Diplo and Switch—the latter trip the light fantastic-commander compatriot shortly dipped out to focus on his solo stylings. On his own, Diplo's done pretty well (in 2015, Spotify announced 'Lean On' every bit its most played track ever) merely the newly pop-ified bent he's taken with the project but can't match its dancehall-centered, dance-floor-shattering origins.
99. 'Lifestyle' by Rich Gang
Despite being a rambunctious party melody, Rich Gang's celebratory ode to well-earned fame ('I did a lot of shit just to live this here lifestyle') coasts forth lightly on a thin vanquish of relaxed piano chords and sub-bass. The collected cool of it all nevertheless—and even if you lot've made trivial headway deciphering the actual lyrics to Thugger'southward mumble-rap chorus—it's difficult to resist screaming along when you're wasted.
100. 'Maneater' by Hall & Oates
A No. 1 hit in 1982 for the genre-angle Philadelphia 'rock & soul' duo Hall & Oates, 'Maneater' offers a alert against a predatory femme fatale, set against a vaguely new wave and faintly ominous landscape of saxophone, drums and synthesizer. (The music video features multiple shots of a jaguar on the prowl.) Put the vocal on a party mix and there's a practiced chance that at least one person in omnipresence will start vamping information technology up like they're on RuPaul'southward Drag Race.
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Source: https://www.timeout.com/music/best-party-songs
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